I learned something yesterday. I learned it at six o clock P.M. Suddenly I realized it is a luxury to worry about fictional people in fictional circumstances.
Since Friday at 3:30 in the morning, my mind had been consumed with The Hunger Games. My hands were desperate to get a hold of the final installment, Mockingjay. I was distressed to the point of distraction over Peeta, Katniss, and the rest of District 12. Unable to focus on anything else for more than a few minutes, my agony over the fate of these fictitious people I had emotionally invested in was consuming every other thought. And while that may sound exaggerated and dramatic, it's basically true.
My biggest worry for most of yesterday was whether Peeta Mellark was alive, what Katniss would do with her new information, and what was going on in District 12 with Gale and Katniss's family.
At six o clock, however, my family got a phone call that brought me back to reality. Then I realized how blessed a person must be for their greatest concern to be for the lives of imaginary people. To have so few worries of one's own, to have so few pressing cares that one can afford to spend that kind of time and energy being distraught over a work of fiction.
Don't think for a moment that I am condemning emotional involvement with fictional reading. It's a mark of good writing, to find yourself drawn so strongly into a character's life and feelings. But take a moment, when you're agonizing over the cliffhangers, when you're going crazy over the love triangle, when all you can think of are the people in that other world, to appreciate the luxury of that extravagant distress.
An informal gathering of my thoughts — from recent book reviews to published poetry to ancient, embarrassing, rambling blog entries.
Saturday, May 26, 2012
Friday, May 25, 2012
Review: Catching Fire
Catching Fire by Suzanne Collins
My rating: 5 of 5 stars
Every time I read a distopian novel, I wonder why I don't read more. I always like them. But it's an odd sort of liking. Not a happy, fuzzy like, but the sense that comes from reading something powerful and provoking.
The story was fresh and strong, and definitely not repetetive and predictable, which I was concerned about. No need to have worried. The whole book kept me holding my breath and being surprised.
I think once I've read Mockingjay, Catching Fire will have been my favorite. I'm anxious to read Mockingjay, but I don't see how it could top this. Once I started, I couldn't put it down - not once. I might even read it again.
A lot of readers criticize Collins for making Katniss in book 2 so different from herself in book 1. She does and says things that the Katniss in book 1 wouldn't have thought of doing. People are chalking it up to sloppy story-telling and slapdash character development. I want to make the argument that it's intentional. It makes sense. Even Katniss feels after The Hunger Games that the fabric of who is is, what she stands for, is falling apart. Doesn't it only make sense that a person whose life and self is absolutely crumbling would act differently from the confident person she used to be when the series started?
P.S. The girl in me is agonizing over the love triangle. **rolls eyes** I guess I can't help it.
View all my reviews
Thursday, May 24, 2012
Sometimes words just pop in my head when I'm falling asleep
Basketful of petals.
Suitcases and spires.
Dark drafts and candlelight.
Descending spiral staircase.
Suitcases and spires.
Dark drafts and candlelight.
Descending spiral staircase.
Saturday, May 19, 2012
To Whom It May Concern
To Whom it May Concern,
I would say "you know who you are," but I don't think you do. If only you knew who you were. But your pride blinds you. Its blinds you and binds you. In making yourself believe you are other than what you are, you destroy what you ought to be, who you could be.
You say, "I'm fine," and you're the only one who believes it. You say, "There's nothing to worry about," and in those words, the cue to worry. You don't know that your spirit speaks through the sound of your voice so much more than what your mouth says. The lines on your face bear testament to the truth. How, I don't know. But they do. The lines on your face, the sound of your footfall, sharper than before, they all betray your words.
Betrayal.
There is grace, though, you know. Or do you?
I would say "you know who you are," but I don't think you do. If only you knew who you were. But your pride blinds you. Its blinds you and binds you. In making yourself believe you are other than what you are, you destroy what you ought to be, who you could be.
You say, "I'm fine," and you're the only one who believes it. You say, "There's nothing to worry about," and in those words, the cue to worry. You don't know that your spirit speaks through the sound of your voice so much more than what your mouth says. The lines on your face bear testament to the truth. How, I don't know. But they do. The lines on your face, the sound of your footfall, sharper than before, they all betray your words.
Betrayal.
There is grace, though, you know. Or do you?
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